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From Presidential Scholars to TikTok sensations, professional dancers across genres are breaking the stigma around cannabis use—and they're doing it while wearing stilettos.
As a U.S. Presidential Scholar in the Arts and drag performer, Laganja Estranja (Jay Jackson) represents the intersection of elite dance training and outspoken cannabis advocacy. She says she was the first LGBTQ+ entertainer featured on the cover of a cannabis magazine (commonly cited as DOPE Magazine, often dated 2015) and has performed alongside celebrities like Madonna and Jennifer Lopez while being open about her cannabis use.
For those interested in cannabis for creative enhancement, exploring different cannabis strains can help identify options that support artistic flow without overwhelming effects.
At just 21 years old (at the time of a 2022 interview with approximately 1.2 million TikTok followers), Kai Jmarii has built a massive social media following with dance videos that have garnered millions of views. He openly credits cannabis for unlocking his freestyle improvisation and creating his most viral content, representing a new generation of dancers who normalize cannabis use.
For dancers seeking similar creative enhancement, finding dispensaries near you with knowledgeable staff can help identify products that support improvisational movement.
As a professional contemporary dancer and founder of BlissIn Out, Nika Antuanette represents the holistic integration of cannabis into dance practice. She reports using both CBD and THC for different purposes—CBD topicals for fascial release work and edibles for recovery—while facilitating mindful movement experiences that incorporate cannabis.
For those interested in similar wellness approaches, Herb’s cannabis edibles guide features information about various consumption methods that might support a dancer’s lifestyle, including topicals for recovery and edibles for mindful consumption.
As a principal dancer with Pacific Northwest Ballet, James Moore represents a breakthrough in the traditionally conservative ballet world. He’s one of the more visible principal dancers at a major U.S. company to speak publicly about using CBD products to manage arthritis in his sacroiliac joint.
For ballet dancers and other performers seeking non-psychoactive options, Herb’s educational content on CBD vs THC can provide guidance on cannabinoid-focused approaches.
As a burlesque choreographer and performer, Mia the MVP represents the unique physical demands of theatrical dance forms. In interviews, she describes using cannabis to ease the muscular tension from high-heel and corset performances while unlocking the confident stage presence essential to burlesque artistry.
For burlesque performers and theatrical dancers, exploring cannabis products for muscle relaxation can address the unique physical demands of costume-based performance.
As a New York City–raised breakdancer from hip-hop’s early era, Mario “Weed Warrior” Ramos traces cannabis use back to street-level dance roots. His journey from breaking and graffiti to cannabis advocacy documents the historical connection between hip-hop culture and cannabis that continues today.
For dancers interested in the historical connection between street dance and cannabis, Herb’s cannabis culture guides include content on cannabis influence across various art forms.
As a burlesque and pole performer, Sweet Ms. Candace (Candace Cane) represents the physically demanding world of pole dancing. In interviews, she describes using cannabis for recovery from the intense physical requirements of pole work while maintaining the creative focus needed for theatrical performance.
For pole dancers and aerialists seeking similar recovery support, Herb’s strain finder can help identify strains suitable for relaxation and muscle recovery after intense physical performance.
Cannabis has appeared in multiple performing-arts subcultures over time—especially during Jazz Age nightlife (including the documented ‘tea pads’ of the 1920s-30s), counterculture eras, and within hip-hop communities. The 1960s-70s counterculture era saw experimentation with consciousness expansion in modern dance, while hip-hop’s street dance culture integrated cannabis through its foundational years. The 2000s witnessed drag performers like Laganja Estranja using cannabis to enhance theatrical expression, and recent years have seen ballet professionals like James Moore discuss CBD openly. Social media has accelerated acceptance, with choreographers like Kai Jmarii reaching millions while openly discussing cannabis’s role in their creative process.
Many professional dancers describe shifting from casual cannabis use toward intentional integration into their practice. Laganja Estranja’s evolution from recreational use to viewing cannabis as medicine mirrors Nika Antuanette’s structured approach to combining mindful movement with plant medicine. This shift reflects broader trends in the dance world, where performers increasingly make intentional choices about how cannabis supports their specific needs—whether for pain management, creative enhancement, or performance recovery. For dancers seeking similar intentional approaches, Herb’s cannabis education resources can guide informed decisions about cannabis integration.
Professional dancers are increasingly building businesses that combine their performance expertise with cannabis wellness. Nika Antuanette’s BlissIn Out represents this entrepreneurial approach, creating experiences that merge mindful movement with intentional cannabis use. Similarly, Laganja Estranja has partnered with multiple cannabis brands including MedMen and LEVO Oil, leveraging her performance credentials to advocate for quality products. This entrepreneurial trend reframes cannabis from purely recreational use into wellness practices that some report support both dance performance and recovery.
Research is mixed and limited when it comes to cannabis and creativity. In controlled settings, one study found that higher-potency cannabis actually impaired divergent thinking (a key component of creative thought), while low-potency cannabis showed no improvement compared to placebo. Another study found acute cannabis intoxication could increase verbal fluency in people low in trait creativity—but this doesn’t represent a blanket “enhances creativity” claim. There’s currently not strong evidence that specific THC:CBD ratios reliably enhance choreographic creativity. Because effects vary widely by individual, dose, and strain, anecdotal reports from choreographers should be understood as personal experiences rather than predictable outcomes. Anyone considering cannabis for creative purposes should follow local laws and consult qualified professionals where appropriate.
Perception has shifted dramatically from stigmatized recreational use toward accepted wellness practice. In conservative dance forms like ballet, cannabis was historically taboo, but dancers like James Moore have helped normalize discussion by focusing on CBD for pain management (though clinical evidence remains contested). Meanwhile, performance art communities including drag and burlesque have long embraced cannabis as part of their expressive toolkit, with advocates like Laganja Estranja normalizing its use. Social media has accelerated this shift, with choreographers like Kai Jmarii reaching millions while openly discussing cannabis’s role in their creative process. This evolution mirrors broader changes in legalization and public attitudes toward cannabis as medicine and wellness tool.
Preferences vary widely based on dance style and individual needs. Choreographers focused on improvisation like Kai Jmarii often report preferring sativa-dominant strains for their energizing effects. In contrast, performers dealing with physical demands like Sweet Ms. Candace may choose indica-dominant strains or CBD-rich varieties for recovery and relaxation. Laganja Estranja specifically prefers dabs as her consumption method, viewing them as precise medicinal intake. For choreographers seeking to experiment, Herb’s strain database can help identify options based on specific goals such as creative enhancement, physical recovery, or performance focus.
Legal implications depend heavily on location and employment context. In states where cannabis is legal, professional dancers generally face fewer legal risks, though employment policies may still restrict use. Ballet companies and other traditional institutions may maintain drug-free policies despite legal changes. For touring performers, the patchwork of state and international laws creates complexity—what’s legal in one city may be prohibited in the next. Choreographers working with educational institutions face additional restrictions due to federal funding requirements. Staying informed about local cannabis laws can help navigate these complexities.
Yes, several choreographers have become prominent cannabis advocates. Laganja Estranja stands out as one of the most visible, having appeared on the cover of cannabis magazines and partnering with multiple cannabis brands. Nika Antuanette advocates through her wellness business BlissIn Out, creating experiences that intentionally combine movement and cannabis. Mario “Weed Warrior” Ramos advocates from a historical hip-hop perspective, documenting the cultural connection between street dance and cannabis. These advocates are helping reshape perceptions by emphasizing cannabis as a tool for artistic expression, physical wellness, and cultural connection rather than merely recreational use. For more insights into cannabis advocacy, Herb’s news section covers evolving perspectives in creative communities.
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